Monroe's early label for a nonphysical, thought-responsive environment he described as emotionally intense and containing belief-shaped heaven and hell environments. Editorial definition: /terminology#locale-ii References: Journeys Out of the Body - Robert Monroe (bibliographic reference only); Far Journeys - Robert Monroe (bibliographic reference only) Locale III (Locale 3) · Accounts & ideas An apparently physical but unfamiliar world described in Monroe’s first book. Monroe's early label for an apparently physical but historically and technologically different environment reached through what he perceived as an opening. Editorial definition: /terminology#locale-iii References: Journeys Out of the Body - Robert Monroe (bibliographic reference only) Loosh · Accounts & ideas A term in Far Journeys for energy associated with life and emotion, connected with love within the narrative. Monroe's term in Far Journeys for an energy or product associated with living experience and emotion, later interpreted within the narrative in relation to love; answers must retain the narrative attribution. Editorial definition: /terminology#loosh References: Far Journeys - Robert Monroe (bibliographic reference only) MC² (MC2; MC squared; MC Squared; Manifestation and Creation) · Programs & audio A program described in the archive as exploring manifestation, creativity and intended effects in everyday physical life.
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Terminology: editorial definitions
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The Institute introduction expands the name as manifestation and creation, and mentions experiments involving seeds, water and spoon bending. Those are the program’s reported activities and claims; its name does not establish that psychokinesis occurred. Usage: Program description · archived Institute introduction Editorial definition: /terminology#mc2 References: Introduction To TMI (Laurie Monroe) https://archive.org/details/introduction-to-tmi-laurie-monroe Metamusic (Meta music; Metamusic Artist Series) · Programs & audio An audio family combining musical compositions with Hemi-Sync sound technology. An archived technical presentation describes blending the signals into artists’ compositions and plays an early example, Midsummer Night. The category identifies a music-based audio format rather than a residential course or a particular Focus level. Usage: Music-based audio family · archived technical presentation Editorial definition: /terminology#metamusic References: 2014 Professional Seminar: Hemi-Sync® Evolution (A.J. Honeycutt) https://archive.org/details/2014-aj-honeycutt Mind Food (MindFood; MF audio) · Programs & audio An audio family of exercises aimed at particular activities or experiences, identified separately from Gateway, Human Plus and Metamusic in the archive.
The journal listening guide lists examples including Energy Walk, sleep recordings and guided exercises. A technical presentation uses Into the Light, a guided exploration of near-death themes, as a contemporary example. Specific titles have different purposes; the family name does not describe a single course. Usage: Audio family · journal listening guide and technical presentation Editorial definition: /terminology#mind-food References: Hemi-Sync® Journal 1998-1 (Winter) https://archive.org/details/hemi-sync-journal-1998-1-winter; 2014 Professional Seminar: Hemi-Sync® Evolution (A.J. Honeycutt) https://archive.org/details/2014-aj-honeycutt Miranon · Accounts & ideas The name of a reported nonphysical communicator in several Explorer sessions. The identity presented through Explorer Six/SHE sessions whose statements about levels, planes, colors, and consciousness were later compiled and interpreted by Daniel Erickson. Editorial definition: /terminology#miranon References: Focus Levels - Seven Resonant Colors Described by Miranon https://archive.org/details/miranon-focus-levels-erickson; Compiled Explorer Series Transcripts #1-32 https://archive.org/details/compiled-explorer-series-transcripts-1-32 Miranon seven-color model (Miranon focus levels; seven resonant colors; 0–49 map) · Accounts & ideas A later map that arranges numbered levels into repeating groups of seven colors.