The archived Focus overview refers to additional levels explored in Starline programs. A 2015 FAQ lists Starlines I and II as residential offerings. These passages establish the names and broad setting but do not provide enough curriculum detail to define each course separately. Usage: Historical program listing and Focus-level overview Editorial definition: /terminology#starlines References: Gateway Experience Essays https://archive.org/details/monroe-institute-programs-about-gateway-experience-online; TMI Web Resources 2012 - An Overview of Focus Levels https://archive.org/details/tmi-web-2012-focus-levels Target (RV target) · Research & perception The person, place, object or event a remote-viewing task asks the viewer to describe. A target is what the session is about. It must remain distinct from the viewer’s impressions and from the later assessment of their accuracy. Usage: DIA protocol glossary Editorial definition: /terminology#target References: DIA protocols: glossary and methodologies (archive scan) https://archive.org/details/tmi-army-dia-protocols Target pool (target set) · Research & perception A collection of varied targets prepared for remote-viewing tasks. The DIA glossary lists photographs, people, documents and maps among possible target materials. A prepared pool supports the procedure; it does not establish that a viewer obtained information by unusual means. Usage: DIA protocol glossary Editorial definition: /terminology#target-pool
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Terminology: editorial definitions
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References: DIA protocols: glossary and methodologies (archive scan) https://archive.org/details/tmi-army-dia-protocols Tasking sheet (tasking; task sheet) · Research & perception The form used to assign and identify a remote-viewing task in the DIA protocols. The glossary describes project and viewer identifiers, dates, and places to record evaluation and completion. A tasking sheet helps establish what was requested before interpreting the resulting report. Usage: DIA protocol glossary Editorial definition: /terminology#tasking-sheet References: DIA protocols: glossary and methodologies (archive scan) https://archive.org/details/tmi-army-dia-protocols Telepathy (mind-to-mind communication) · Research & perception Claimed communication between minds without ordinary sensory transmission. This is the usage in the DIA glossary. It is broader than the Explorer term NVC, which describes how understanding is experienced and does not on its own demonstrate communication between separate people. Usage: DIA protocol glossary Editorial definition: /terminology#telepathy References: DIA protocols: glossary and methodologies (archive scan) https://archive.org/details/tmi-army-dia-protocols The Absolute (Absolute) · Accounts & ideas The 1983 Gateway report’s term for a proposed unbounded state beyond ordinary time and space.
The report develops this idea as part of its speculative model of energy and consciousness. Its appearance in an Army document archived by the CIA does not make the model an established result in physics. Usage: Speculative model in the 1983 Gateway report Editorial definition: /terminology#absolute References: (TMI-ARMY Files) 1983 - Analysis and Assessment of Gateway Process https://archive.org/details/1983-analysis-and-assessment-of-gateway-process The Gathering (Focus 34/35) · Focus levels The name associated with Focus 34/35 and reports of intelligences beyond ordinary human awareness. A region the archive's institutional Focus guide describes as beyond ordinary human consciousness and associated with intelligences observing events around Earth. Editorial definition: /terminology#gathering References: TMI Web Resources 2012 - An Overview of Focus Levels https://archive.org/details/tmi-web-2012-focus-levels; Focus Levels - Seven Resonant Colors Described by Miranon https://archive.org/details/miranon-focus-levels-erickson The Park / Reception Center (park; reception centre; reception center) · Accounts & ideas A welcoming environment associated with Focus 27 in Lifeline and related accounts. Skip Atwater explains that participants give the reception-area idea their own imagery. A 1994 participant describes a park-like setting. Treat the image as part of their accounts rather than a fixed geography everyone must see. Usage: Skip Atwater and a Lifeline participant