Markdown lines 49–295 · Part 1 of 2
1984-05-30 - BEF-01
(This is an unedited transcript, auto generated by otter.ai.)
00:07
Listen, sorry, my body's shifting right now I'm having visions of Mediterranean architecture.
00:18
Already, have you done your preparatory things?
00:21
resonant tuning just the energy conversion box? I don't know if there's gonna be the
overlapping voices for the resident tuning or not?
00:33
Well, if you are accustomed to doing it out loud, go ahead and do it. And we're just taking
ourselves and counting yourself into the state of body asleep and mindfully awake. 10, four.
There's been a qualitative shift in my body awareness which resembles from what I can relate
to focus. Do you think you are focused on them? Just like if somebody were to say that I
wouldn't argue the point.
02:45
All right, well just stay with it there for a while. Get the experience of it.
03:13
Got a vision in my head is a big cabbage plant. Back to the Mediterranean architecture. High
arched pillars is what it is white marble
04:00
or something you're seeing in fairly clear detail.
04:06
I can see the arches in pretty good detail. I can see there's designs very intricate designs in it.
But I can't make it up to the extent where I can see the entire structures I'm on the inside of the
structure. looking outward, it's a sunny day. Nobody lives there. It says if it were ruins, well
preserved ruins.
04:36
Well, that sounds like a good place. To check it out a little more and see what it is
04:46
going down the steps. As I'm going down to step size transported to Italy you would call a
scene in Italy. The previous architecture seem to be Greek says if I'm hovering above the
Colosseum, in Rome, I would say
05:19
you're looking at it from above.
05:20
Yes. 100 to 200 feet above, at a slight angle away from it. It's daylight there too, so and the
vision is daylight. So that doesn't particularly jive with what else on one correspondence with
present Earth time. Well, I don't know, let's see, that'd be six, seven hours difference, and
you're getting dusk Anyway, after our dark. I just flew up to the Tim's in England by the
parliaments
06:08
you're moving around fairly fast. They're seeing you aware of physical space and objects also
include the life forms of any kind
06:20
have a sense of life forms I haven't seen any I'm mainly seeing buildings. I I enjoy. Architecture
is also someone very close to me as an architect. So I've got a sense of coming back, cross
the Atlantic back here, folks. And I'm right back in your body
07:07
wanted to try going further out or deeper in time for a deeper Focus, focus 12 sure that your
consciousness expanded the myth maybe get away from this earth atmosphere
07:22
if you want to. Okay, when as you said that I had a vision of being on the outer layers of the
Earth's atmosphere. There is a qualitative change of body feeling is lighter, a more refined
vibration if you will.
07:48
higher frequency. Feel like I'm floating above the planet outside of the atmosphere
08:10
where you're doing a good job of reporting any changes that occur we'll share them with us.
08:24
There seems to be a quickening of activity in my left calf. I've heard tales that the calves are
very good antenna.
08:39
The cancer one
08:40
good antenna, okay, receptors. My legs as a whole there's a qualitative difference there and
that they seem there seems to be another body layered on top of them resting on them as if
they're two in one. My entire physical being is lighter. As if I went in there, okay, now my arms
are catching up with my legs.
09:31
It says if I were changing frequency to a higher frequency but yet there is a softness where I
wouldn't be There's a maleness of the frequency whereas one whereas I might think a
changing in the higher frequency might
10:10
lead to somewhat of a discordance. It's not the case i'm back out in space visually. In the
preparatory stages audio, I heard that I was being that I had grown accustomed to the
sequence and then as I got back in space, it's what I say hearing it's in a telepathic form it's as
such it's not an audio when it says I'm hearing the signals
10:59
relates back to the journey of some kind again, think I'm going to try to go inside now and see
what happens.
11:22
I Very good.
11:25
Very well, my heart seems to be pretty healthy. I'm going through my digestive tract now.
Okay, I came out of my anus and I came back up on the outside of my bag.
11:52
And I'm like resting on the top of my head right now. And that's okay, I'm getting a picture of
the traditional lotus flower corresponding with the seventh chakra such as fat and Kundalini
Yoga, for example. There is a puff it's almost as if it were a cotton ball, but yet it has more
substance in the middle of the lotus flower.
12:30
And I seem to be getting a sense that that is the area where the the the petals of the lotus are
more like receptors or this puff inside is the assessor receptor. Product Principle. Principle
area of perception in terms of the seventh chakra Okay, now I'm going back down straight into
the brain. Now I'm stopping in the sixth chakra area. And what I have that is four flanges
opening from my forehead. And as if there is a pistol Steinman as related to the biological
structure of a flower in the center of that Okay, I'm coming down outside over my nose. I breath
I'm going in through my nasal nasal nasal cavities. Something to do with breath here. The
importance of it in its connection with the environment prerna picking up another Hindu term
here, lifeforce. Okay, I've got back through my sciences down to my spine. I like just below the
fifth chakra, but I'm coming back up and out of it. And I pick up a vision of a rather unusual
flower at the base of my throat where the indentation is where the physical indentation is. The
petals are some are purple. Whereas there is a flash of purple lavender light in the sixth chakra
here. It's a very intense, light blue light. And yet the petals are this very strange, very small,
petite, very sturdy flower, our purple, leave the petals ohmmeter I'm going back into the spine.
15:24
Heart. No, I'm picking up a Discord. And so I can't make up my mind whenever we go to the
third or the fourth soccer, I think I'm gonna go to the third
15:35
yellow light Blimey brilliance represents the intelligence of mankind. I'm going back up to the
fourth. It's almost there was a force coming out and then it was turned back under, almost as a
pulse goes out and then it goes back under
16:07
pictorially I have a large high viscous strikes easy, rather odd. Okay, now I'm going back to the
base, my spine, very primal.
16:26
Red, I'm shooting up to the second Orange is the car I'm coming out of the second it relates for
me at any rate to astral projection or out of the body experience. I'm going back into the red,
the primal flashes of color. I had similar experience of this in gateway when I was exploring red
with the flashes of color. And they're related again to the primal
16:59
essence also relates to survival. That seems to be traditional, and from what I read in Hindu
literature.
17:15
Okay, I'm coming back up, it's this if this energy are coming up, and it's falling out from my
spine, through my shoulders, into my arms, out through my fingers. I'm curious as if you're
getting anything unusual on the readings. He can tell me later if you care to the energy there is
remaining flowing, but yet it's static. The energy is also coming up through my spine into my
brain into my head coming out of my ears. It's just flowing, it's it's quite interesting that it's
stemming from the base of my spine and are feeling somewhat of a tingling sensation down
there now.
18:08
And it was just coming up and out and flying sensation. It seems as for my legs, I can make it
either go outward from the base of my spine, or have it come up from the soles of my feet. For
a unified energy flow, unified in the sense of my entire physical being. And it seems to where
it's optional, whether I choose to have come up from the sides, my feet and flow continuously
up and out any direction or whether I take it from the base of my spine and projected in two
ways. When I do it two ways there I seem to have a uncanny sense of balance. When I do it up
from the soles of my feet. I seem to lose the sense of balance, but I gain
19:11
a sense of wonder and a sense of exploration. Okay, now there's a sense of depression. Not in
a negative sense, but in terms of pressure in terms of a flow of energy in the area, my genitals.
19:44
my forearms are tingling. I'm back at the Greek architecture. I have a connection with Zeus
there. But it also strikes me as being there for a fascination of mythology. Not in terms of
mythology, stories, but in terms of the the process of mythology. How each age conjures a
mythology to resonate with the inner aspects of ourselves. But how they're utterly fallacious at
one level, and yet at the same time, they're like a big Gong resonating with our innermost
being.
20:58
Okay, I'm back in England now in London, it's parliament. It seems as if I'm there from a
fascination from political
21:11
structures. I did take some political science in school. And also I'm reading Shirley MacLaine is
out on a limb right now and she talks about one of her friends lovers as a member of
Parliament's so there could be that connection there, too. Oh, I'm back in colonial America.
Within is in with the pilgrims, it's as if they're celebrating Thanksgiving. Which is probably my
favorite holiday.
22:12
Are you there like as an observer, as a participant in any way
22:16
that's I was just trying to figure that out myself. I'm drawn to one particular Indian who has two
feathers attached to the back of his head. I can't say that I'm there as a participant in terms of
reincarnation or theory. It is more like I'm there as a spirit I'm getting a lot of chills now is
because as if I think that particular holiday holiday embodies the finest attributes of man,
ordinary man at any rate, whereas I can relate to that more so say even in Christmas because
it seems to become a matter of Hocus Pocus. Where is it again Thanksgiving seems to
embody the best a man can can offer one another's and I particularly now that I'm there, and
that this is a new thought. I like the mixture of races that are there that they're getting along.
That it just seems to be such a waste. Not to behave in that manner.
23:58
Are you experiencing perceptions at this at this point?
24:03
Yeah, I'm seeing Indians there except say for maybe Lauren Claus. Very, not really tanned.
But a natural Brown is to their skin. And then I've seen pilgrims in what we think of as a
traditional dress, the black with the white collars and the hats and whatnot. I see them talking
with and I have a sense of they're enjoying one another's company. It's it's a very nice feeling.
Inside you know, it like it connects me with,
24:54
with mankind as a whole in a very The essence of a positive sense, I would say, Okay, now
I've just settled back into the tones. Some geometric forms resembling the carpenters rules,
angles, becomes a sun coming from our rate. Well, it's an odd sort of sun. It's like it's, there's
light there, but it's not beaming light. It's circular.
26:00
Can you approach it?
26:02
That's a thought. As I approach there's kind of like others off to the left side of it, or, as if you
were to blow up a surgeon's glove and the fingers would be projecting.
26:26
As I go inside, there is neither a sense of warmth nor coldness. Oh, that's very analytical in
terms of assessing knowledge, terms of assessing anything for that matter, it would be the
essence of in I think it was Robert Heinlein, stranger from strange land, where they develop
the capacity of the the proper witnessed something like that. Whether you see before you went